![]() Wang Center at New York State University, Stony Brook in 2016, the New Art Gallery, Walsall, UK in 2010, the Brooklyn Museum, NY in 2009, and the Queens Museum at Bulova, New York in 2001. Her site-specific solo installations include the Charles B. It felt so fresh, alive and free, for me.” It felt like black ink pouring out of my fingers. On my way back to my studio, I walked up a staircase going up to the roof that not many people used, and I began to tear and draw with the tape freely, with great enjoyment. “One day, black masking tape popped into my mind. “I wanted to find a material that is direct,” she says. Kwak began her career as a painter, but she felt locked into the shape of the canvas and frustrated by the distance she felt between herself and the materials. Drawing with masking tape has become her signature form of expression. Kwak, is a Korean-born, New York City-based artist. the Holy Spirit, unable to express the fullness of His meaning in ordinary words, utters mysteries in strange figures and likenesses. The space changes as the work and audience interact together.”-Sun K. “I don’t want people to stare at my work, but to feel it by walking into the picture. Yet the drawing lives on in viewer’s memories as an imprint that leaves the space forever altered.”-Sun K. This process of emptying the space is a metaphor for the ephemeral nature of life and my acceptance of the emptiness of that nature. “At the close of the exhibition, the space once again becomes blank as the black tape of the drawings is pulled off the wall and thrown out. Her own extemporaneous physical movements become a drawing in space which for her is both meditative and performative. Her medium is black masking tape, stretched, torn, and shaped in response to the spaces she encounters. Kwak challenges perceptions of familiar surroundings with her installations of energetic gestural drawings.
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